Last night, the vibrant atmosphere of Cannes was elevated as The Hollywood Reporter, in collaboration with Longines, hosted an exclusive afterparty for Lynne Ramsay's thrilling new film, Die, My Love. The event took place shortly after the film's premiere at the Palais, where it received a remarkable six-minute standing ovation, showcasing the audience's appreciation for Ramsay's cinematic brilliance.
Among the notable guests was Robert Pattinson, who made a stylish entrance straight from the film's premiere. He was soon followed by LaKeith Stanfield, who added a touch of excitement by showcasing some impressive dance moves while photographers captured the moment on the carpet. Later in the evening, Jennifer Lawrence arrived, elegantly accompanied by Matthias Breschan, the CEO of Longines, adding to the star power of the event.
Other luminaries in attendance included the acclaimed Joaquin Phoenix and his wife Rooney Mara, who playfully blocked Pedro Pascal from capturing any photos, creating a lighthearted moment. Dakota Johnson, who is set to star in Celine Song’s eagerly awaited film Materialists this summer, also graced the event alongside pop sensation Charli XCX and German actor Matthias Schweighöfer. The atmosphere was further enriched by Ali Abbasi, the director known for last year’s Cannes entry, The Apprentice, who looked dapper in a slick cream suit.
The afterparty, organized by the incomparable Danielle Pelland, culminated with a special appearance by Sissy Spacek, the Oscar-winning actress and beloved figure, who played Pattinson’s mother in Die, My Love. The vibrant venue, Salama, offered an exquisite selection of wines including Bordeaux and Côtes-d’Auvergne-imported pinot noir and pinot blanc, alongside a delectable array of culinary options such as sushi, falafel, and sliders. Attendees indulged in enticing mini desserts that featured chocolate fondants, cream, and fresh fruit skewers.
The themed cocktails were a highlight, with creative mixes like the “Die, My Darling”, a refreshing blend of tequila, cointreau, and fresh lime juice; the “Feral Bloom”, which combined Grey Goose Vodka, vanilla liquor, and espresso; and the delightful “Love Is a Wound”, made with Aperol, Prosecco, and Perrier.
As guests arrived on Cannes’ Rue Florian, they were greeted by a series of private parties that set the stage for THR and Longines' event. A saxophone player entertained the crowd, while a man perched atop a building played the flute, embodying the festive spirit typical of Cannes parties. Inside Salama, the ambiance was enhanced by moody lighting that seamlessly transitioned from the terrace to the bar and dance floor, complete with designated tables for each cast member to socialize and unwind.
Amidst the festivities, there was buzz surrounding a peculiar bird costume spotted on the film’s red carpet, leading to playful debates about whether it was a turkey or a condor. The mystery was soon solved when organizers revealed that the character was actually from Raphaël Quenard’s Cannes Classics documentary, I Love Peru. The film's synopsis suggests a spiritual journey, chronicling Quenard's quest for meaning as he flies to Peru, guided by his friend Hugo David.
During the evening, Ezra Miller, a longtime collaborator of Lynne Ramsay from their work on We Need To Talk About Kevin (2011), was spotted sprinting down the red carpet at the film's premiere to show support for the filmmaker. However, much to the disappointment of fans, Miller, who sported a trendy beret and long hair, was conspicuously absent from the afterparty.
This glamorous night at Cannes not only celebrated the premiere of Die, My Love but also highlighted the camaraderie and creativity within the film industry, making it a memorable event for all in attendance.
