In the realm of action-comedy films, "Fight or Flight," directed by James Madigan, takes the absurdity to new heights—quite literally—on a Transpacific flight aboard a colossal passenger plane. This film could well be dubbed "Chainsaws on a Plane," given the outrageous use of a power-driven cutting tool alongside a plethora of other sharp implements, including knives, swords, and even common objects like sprinkler spouts and shards of wineglasses, all wielded as weapons. While the film shares some thematic elements with "Bullet Train," it amplifies the chaos to an exhilarating degree.
Throughout the film, viewers will witness a dizzying array of weapons in play, from drug-laced darts to seatbelt buckles, and yes, even Glocks and assault rifles. However, what's notably absent are snakes—perhaps a nod to the iconic "Snakes on a Plane." As the story unfolds, you may find yourself questioning how numerous aspiring assassins managed to smuggle such armaments past airport security, especially if you've faced scrutiny for carrying a seemingly innocent bottle of shampoo in your carry-on. This logistical absurdity is part of what makes "Fight or Flight" a delightful lunacy.
The film kicks off with a wildly violent flashforward, functioning as both a forewarning and an engaging teaser. Set to the whimsical strains of the "Blue Danube Waltz," audiences are treated to a slow-motion spectacle of chaos—punches thrown, weapons fired, and even a chainsaw hurled through the air. The scene culminates in a shocking moment when a bystander is dramatically ejected from the aircraft through a gaping hole. Just when you think it can't get any crazier, director Madigan assures us, "You ain't seen nothing yet!"
After this thrilling introduction, the film shifts to a more subdued tone with a "12 Hours Earlier" title card, introducing us to Lucas Reyes, played by Josh Hartnett. Reyes, an American expatriate, embodies the archetype of a burnt-out ex-agent, complete with the disheveled appearance of someone who hasn’t seen a clean shirt in days. His downward spiral, fueled by whiskey, takes a comedic turn when he humorously contemplates the value of his organs should he die in a bar. This sets the stage for his character's arc, where he grapples with his past and seeks redemption.
Lucas Reyes is thrust back into action when he receives a call from his former lover, Katherine Brunt, portrayed by Katee Sackhoff. She offers him a chance at redemption: a lucrative payday, a new passport, and his removal from the U.S. No Fly List. However, the catch is that he must locate "the Ghost," a mysterious terrorist on board the passenger plane. The twist? No one knows what the Ghost looks like, and they certainly don't want to be found. Reyes’ mission is to bring the Ghost back alive, but complications soon arise.
Things take a wild turn when a fellow passenger sedates Reyes, leading to an unexpected confrontation in the luxury-class bathroom. Despite the drug attempt, Reyes’ resilience proves humorous, as he expels the sedative by consuming liquid hand soap. This moment sets the tone for the absurdity that follows—Reyes discovers the entire plane is filled with assassins hunting for the Ghost, all while he's trying to navigate through this high-stakes chaos.
The film’s pacing is relentless, as Reyes battles through a series of escalating confrontations across various sections of the aircraft. Each skirmish is more outrageous than the last, and viewers are treated to a blend of slapstick humor reminiscent of classic cartoons. Madigan and screenwriters Brooks McLaren and D.J. Cotrona cleverly weave a narrative that, while chaotic, gradually reveals a coherent plot. The humor often outweighs the violence, creating an atmosphere that leans more towards laughter than shock.
Central to the film's success is Hartnett’s performance. He embodies the role of Lucas Reyes with a palpable energy that anchors the chaotic narrative. His physicality and enthusiasm shine through, as he navigates the absurdity of his surroundings with an infectious joy. Whether he's throwing himself into the fray or delivering a comedic line, Hartnett's portrayal resonates, making audiences root for his character amidst the pandemonium.
In conclusion, "Fight or Flight" stands out as a uniquely entertaining action-comedy that marries outrageous violence with humor. It embraces its absurdity wholeheartedly, delivering a film experience that is as exhilarating as it is hilarious. With Hartnett at the helm, the film invites audiences to revel in the unrestrained chaos, making it a must-watch for fans of the genre.
