Once upon a time, the name J.J. Abrams in the opening credits guaranteed a new series would quickly become must-see TV. With iconic shows like “Alias,” “Lost,” and “Fringe,” Abrams crafted some of the most addictive genre television of the 2000s. Even his executive producer credits elevated forgettable series like “Alcatraz” and “Almost Human” to brief moments of fame. However, it has been 15 years since Abrams last held a TV creator credit, and his transition to big-budget filmmaking with franchises like “Star Trek” and “Star Wars” has made him a polarizing figure among dedicated fans.
With the launch of his new series, “Duster,” co-created with LaToya Morgan and premiering on Max this Thursday, Abrams marks his first writing credit since 2019’s “Star Wars: The Rise of Skywalker.” Unlike his blockbuster films or the intricate serialized dramas he’s known for, “Duster” presents a more grounded narrative. Traditionally celebrated for his “mystery box” storytelling that unveils elaborate hidden worlds and secret organizations, “Duster” takes a detour into the realm of a straightforward crime thriller, albeit with some frustrating forays into conspiracy as the series progresses.
Set in the vibrant backdrop of the 1970s, “Duster” revolves around a determined FBI agent and her reluctant informant, a career criminal. The story centers on Nina Hayes, portrayed by Rachel Hilson, who is fresh out of the FBI Academy. Eager to prove herself, she pleads with her superiors for a transfer to the Phoenix field office to lead the investigation against local crime boss Ezra Saxton, played by Keith David. Nina's motivation is deeply personal; she blames Saxton for the murder of her father, a former employee of his.
Nina's investigation leads her to recruit Jim Ellis, a courier for Saxton, played by Josh Holloway. Jim's connection to the case is also personal; he believes that his brother's death while working for Saxton was no accident. This classic buddy-cop setup features partners from opposing sides of the law, and while Abrams and Morgan don’t reinvent the formula, the compelling narrative keeps viewers engaged.
Unlike other Abrams productions that focus on delivering shocking twists, “Duster” unfolds in a familiar yet intriguing manner. The series populates the underbelly of Phoenix with an array of captivating characters and integrates 1970s pop culture influences without becoming a mere pastiche. From her first appearance, Nina confronts the dual challenges of racism and sexism within the FBI. Yet, her confidence remains unshaken as she faces skepticism from her colleagues and superiors. The show pays tribute to Blaxploitation cinema through its fashion, music, and by placing Black characters in prominent roles among both law enforcement and criminals.
Keith David's portrayal of Saxton adds a suave presence to the character, who navigates confrontations with redneck bikers at a roadside bar without drawing attention to his race. While “Duster” does not aim for grand social commentary, the characters’ existence within their specific time period makes a silent statement.
Ultimately, “Duster” (named after Jim's iconic bright red muscle car) delivers high-octane fun filled with car chases, shootouts, and a cast of colorful characters with names like Mad Raoul and Enrique the Blade. Holloway, who has sought the right role since his time as Sawyer on “Lost,” fits perfectly into the tough but compassionate Jim, who balances the harsh realities of Saxton's operations with his desire for a better future for his daughter.
The chemistry between Hilson and Holloway shines through witty banter, and it's refreshing that they are not forced into a romantic subplot. The same goes for Nina’s relationship with her enthusiastic young partner Awan, whose half-Navajo heritage highlights yet another layer of diversity within the FBI. While “Duster” features camaraderie, it is light on romance, with Jim often seen waking up next to anonymous women before quietly slipping away.
As the eight-episode season progresses, the early humor begins to fade, but “Duster” maintains a fast-paced and clever narrative. Abrams employs his signature narrative device of in medias res beginnings in three episodes, which may leave viewers slightly bewildered as the motivations of various factions become increasingly complex. Nevertheless, with its eclectic soundtrack, vibrant desert setting, and endearing characters, “Duster” offers breezy, low-impact entertainment that showcases Abrams’s enduring name-brand value.
DUSTER
Starring: Josh Holloway, Rachel Hilson, Keith David.
Available on Max
